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Westworld Season 1 torrent
Westworld Season 1 torrent is one of the series that you can download torrent or magnet on our website. This 2016 Drama tv show is 10 episodes length with 9.0 IMDb rate and created by Jonathan Nolan. Look down for more data about Westworld Season 1.
Westworld Season 1 Torrent (2016) Series Download
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"Westworld Season 1" YouTube trailer:
Westworld isn't your typical amusement park. Intended for rich vacationers, the futuristic park - which is looked after by robotic "hosts" - allows its visitors to live out their fantasies through artificial consciousness. No matter how illicit the fantasy may be, there are no consequences for the park's guests, allowing for any wish to be indulged.
Episodes included: Episode 1, E1, S1E1, Episode 2, E2, S1E2, Episode 3, E3, S1E3, Episode 4, E4, S1E4, Episode 5, E5, S1E5, Episode 6, E6, S1E6, Episode 7, E7, S1E7, Episode 8, E8, S1E8, Episode 9, E9, S1E9, Episode 10, E10, S1E10
Westworld Season 1 images:
| Genre : Drama
| Resolution : 720p
| Language : English
| Quality : HDTV
| Release year : 2016
Download Westworld Season 1 Torrent
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HBO swings enormous. That has been its image since the times of "It's not TV, it's HBO." Television in the end gotten up to speed, which implied HBO needed to swing greater; it is not worked for, or on, a slate of strong yet not breathtaking shows. It is a top notch link channel, which implies it needs to bring the premium. So when a HBO arrangement comes up short — "Vinyl," "Good fortune," "John From Cincinnati" — it bombs hard. Yet, when it interfaces, well, hits like "Session of Thrones" and "Veep," "A week ago Tonight With John Oliver" and "Olive Kitteridge" don't simply clear up Emmys, they change the way of TV. Push the work of art up and out in a way no other system or stage has possessed the capacity to do. "Westworld" is TV's next big game-changer, an awesome, multilayered woven artwork of activity and sudden examination made entrancing by makers Jonathan Nolan and Lisa Joy and a cast that incorporates Anthony Hopkins, Jeffrey Wright, James Marsden, Ed Harris, Thandie Newton and Evan Rachel Wood.
It isn't quite recently extraordinary TV, it's distinctive, intriguing TV that engages even as it inspects the darker side of excitement. Like the 1973 Michael Crichton film on which it is based, "Westworld" envisions a future in which computerized reasoning innovation has achieved such close flawlessness that an option world amusement stop populated by androids is conceivable. Well off guests to Westworld pay abundantly to completely drench themselves in an Old West affair. Shootouts, treasure chases, bar brawls and obviously a lot of house of ill-repute activity — I did specify HBO, isn't that so? — are altogether made accessible through a wonderfully organized arrangement of stories carried on for quite a while by androids so genuine it can appear unsettling.
Something will turn out badly, obviously; something dependably turns out badly when the manufactured turns out to be excessively keen. Without a doubt, the 75-minute debut opens with the suspicion of inconvenience. In a dim and modern space, an exposed, clear confronted android named Dolores is returned "on the web" so she can be inquired as to whether she has ever scrutinized her world. When she says no, she is solicited what she supposes from that reality and, slipping into character, she lets us know.
We enter the recreation center, and the story, joined by the porcelain flawlessness of Dolores, a creative, idealistic farmer's girl who sees the positive qualities in all individuals, including "the newcomers." That would be the paying visitors who are there, somewhat often, to participate in vicious, ruthless acts including torment, murder and assault, over which they require feel no blame in light of the fact that their casualties are not genuine. "Or, then again are they?" is the conspicuous next question, the start that drives basically every manmade brainpower account, "Westworld" among them. Dolores and her kindred hosts are rebooted toward the finish of each story, their recollections wiped clean; when they glitch or are at no time in the future required, they are put into chilly stockpiling.
Be that as it may, the recreation center's lord fashioner, Dr. Robert Ford, plainly has convoluted sentiments about his manifestations and their expanding flawlessness. Humankind, he tells his helper Bernard developed out of errors; like the Zen aces who bring a blemish into an ideal painting to make excellence, Ford trusts flawlessness is not quite recently inane but rather the finish of significance itself. It is the first of numerous exasperatingly exquisite and intense scenes amongst Hopkins and Wright — viewing these two, independently however particularly together, is reason enough for energy. Surely, for all its science fiction accessories and "Yearning Games" vibe, "Westworld" is a feature of amazing exhibitions. Wood, and in consequent scenes Newton, are particularly hypnotizing as they slide from machine to human and back once more.
Not content with just adding measurement to the recognizable question of "What makes us human?" Nolan and Joy flip around the vanity and sideways. The quick story line may prod an investigation of what might happen if the robots picked up cognizance, however the genuine concern is the means by which the people lost theirs. Westworld is a recreation center that, similar to another stop we know, is constrained just by "your creative energy;" yet the creative abilities that arrive appear to be overwhelmingly fierce and murderous. As in the film, a dark clad gunslinger assumes a key part, however where Yul Brynner played a robot go crazy, in the arrangement, Ed Harris' close indistinguishable figure is particularly human, killing and assaulting as he goes.
Luckily, the Man in Black has more at the forefront of his thoughts than debasement thus does "Westworld." As he delves further into the recreation center, the arrangement burrows further as well, into what the recreation center stands for. The viciousness of early scenes, including an inferred assault that incited feedback at this past summer's Television Critics Assn. squeeze visit, is a long way from unnecessary; to be sure, it is the inverse of needless. As "Westworld" unfurls, it doubts its own reality — why do we appreciate communicating and encountering such shocking things? Is it a method for investigating/alleviating our darker driving forces or would we say we are basically bolstering and praising them? It is safe to say that we are the stories we tell, the pictures we search out, the recreations we want to play?
This inside a story that turns and turns with plot and interests with character improvement. What's more, that is the reason HBO, for every one of its slips and flameouts, with all the expanded rivalry, stays interesting. Having taken the lion's offer of feedback for TV's expanded readiness to make universes in which murder and torment and assault happen with disturbing consistency, the system offers us an arrangement that recognizes the risk of such things and is set up to investigate what everything implies.
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